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    Carbon 14 dating accuracy

    Indeed, Altamira's artists are renowned for how they used the natural contours of the cave to make their animal figures seem extra-real.The actual subterranean complex itself consists of a 270-metre long series of twisting passages ranging from 2-6 metres (about 7-20 feet) in height, in which more than 100 animal figures are depicted.However not until the anthropologist Henri Breuil (1877-1961) began circulating copies of the paintings in the mid/late 1900s, did the world at large became aware of the true visual significance of the site.For four decades thereafter Altamira was the world's leading showcase of prehistoric ancient art, until its eclipse by the Lascaux cave paintings in the late 1940s.Unlike most other decorated rock shelters of the Upper Paleolithic, Altamira cave was a place of domestic human habitation This was limited to the cave mouth and lobby area, although paintings and petroglyphs were created throughout the length of the cave.About 12,000 BCE, a landslide sealed the cave's entrance, thus preserving its contents until its accidental discovery in the late 19th century.

    Using the carbon 14 dating method, they found that two of the cave paintings dated to between 15,000 and 12,000 BCE, which placed them in the Magdalenian (Style III) period.But according to the most recent research, some drawings were made between 23,000 and 34,000 BCE, during the period of Aurignacian art, contemporaneous with the Chauvet Cave paintings and the Pech-Merle cave paintings.The general style at Altamira remains that of Franco-Cantabrian cave art, as characterised by the pronounced realism of the figures represented.Like many similar prehistoric caves, Altamira has been dogged by environmental and conservation problems.It was closed for conservation purposes in 1977 (reopened 1982), and again in 2002.

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